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Hildegard von Bingen

Ruine Kloster Rupertsberg

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Born in Bemersheim (Böckelheim), West Franconia (now Germany), she was the tenth child of a well-to-do family. She’d had visions connected with illness (perhaps migraines) from a young age, and in 1106 her parents sent her to a 400-year-old Benedictine monastery which had only recently added a section for women. They put her under the care of a noblewoman and resident there, Jutta, calling Hildegard the family’s “tithe” to God.

Jutta, whom Hildegard later referred to as an “unlearned woman,” taught Hildegard to read and to write. Jutta became the abbess of the convent, which attracted other young women of noble background. In that time, convents were often places of learning, a welcome home to women who had intellectual gifts. Hildegard, as was true of many other women in convents at the time, learned Latin, read the scriptures, and had access to many other books of a religious and philosophical nature. Those who have traced the influence of ideas in her writings find that Hildegard must have read quite extensively. Part of the Benedictine rule required study, and Hildegard clearly availed herself of the opportunities.

When Jutta died in 1136, Hildegard was elected unanimously as the new abbess. Rather than continue as part of a double house — a monastery with units for men and for women — Hildegard in 1148 decided to move the convent to Rupertsberg, where it was on its own, not directly under the supervision of a male house. This gave Hildegard considerable freedom as an administrator, and she traveled frequently in Germany and France. She claimed that she was following God’s order in making the move, firmly opposing her abbot’s opposition. Literally firmly: she assumed a rigid position, lying like a rock, until he gave his permission for the move. The move was completed in 1150.

The Rupertsberg convent grew to as many as 50 women, and became a popular burial site for the wealthy of the area. The women who joined the convent were of wealthy backgrounds, and the convent did not discourage them from maintaining something of their lifestyle. Hildegard of Bingen withstood criticism of this practice, claiming that wearing jewelry to worship God was honoring God, not practicing selfishness.

Part of the Benedictine rule is labor, and Hildegard spent early years in nursing, and at Rupertsberg in illustrating (“illuminating”) manuscripts. She hid her early visions; only after she was elected abbess did she receive a vision which she said clarified her knowledge of “the psaltery…, the evangelists and the volumes of the Old and New Testament.” Still showing much self-doubt, she began to write and to share her visions.

Hildegard of Bingen lived at a time when, within the Benedictine movement, there was stress on the inner experience, personal meditation, an immediate relationship with God, and visions. It was also a time in Germany of striving between papal authority and the authority of the German (Holy Roman) emperor, via papal schism.

Hildegard of Bingen, through her many letters, took to task the German Emperor Frederick Barbarossa, but also the archbishop of Main. She wrote to such luminaries as King Henry II of England and his wife, Eleanor of Aquitaine. She also corresponded with many individuals of low and high estate who wanted her advice or prayers.

Richardis or Ricardis von Stade, one of the convent’s nuns who was a personal assistant to Hildegard of Bingen, was a special favorite of Hildegard. Richardis’ brother was an archbishop, and he arranged for his sister to head another convent. Hildegard tried to persuade Richardis to stay, and wrote insulting letters to the brother and even wrote to the Pope hoping to stop the move. But Richardis left, and died after she attempted to return to Rupertsberg.

An infamous incident happened near the end of Hildegard’s life, when she was in her eighties. She allowed a nobleman who had been excommunicated to be buried at the convent, seeing that he had last rites. She claimed she’d received word from God allowing the burial. But her ecclesiastical superiors intervened, and ordered the body exhumed. Hildegard defied the authorities by hiding the grave, and the authorities excommunicated the entire convent community. Most insultingly to Hildegard, the interdict prohibited the community from singing. She complied with the interdict, avoiding singing and communion, but did not comply with the command to exhume the corpse. Hildegard appealed the decision to yet higher church authorities, and finally had the interdict lifted.

Hildegard of Bingen Writings

The best-known writing of Hildegard of Bingen is a trilogy including Scivias (1141–52), Liber Vitae Meritorum, (Book of the Life of Merits), and Liber Divinorum Operum (Book of the Divine Works). These include records of her visions — many are apocalyptic — and her explanations of scripture and salvation history. She also wrote plays, poetry, and music, and today many of her hymns and song cycles are recorded today. She also wrote on medicine and nature — and it’s important to note that for her, as for many in medieval times, theology, medicine, music, and all those topics were unitary, not separate spheres of knowledge.

Hildegard of Bingen – Feminist?

Today, Hildegard of Bingen is celebrated as a feminist; this has to be interpreted within the context of her times.

On the one hand, she accepted many of the assumptions of the time about the inferiority of women. She called herself a “paupercula feminea forma” or poor weak woman, and implied that the current “feminine” age was thereby a less-desireable age. That God depended on women to bring his message was a sign of the chaotic times, not a sign of the advance of women.

On the other hand, in practice, she exercised considerably more authority than most women of her time, and she celebrated feminine community and beauty in her spiritual writings. She used the metaphor of marriage to God, though this was not her invention nor a new metaphor — but it was not universal. Her visions have female figures in them: Ecclesia, Caritas (heavenly love), Sapientia, and others. In her texts on medicine, she included topics which male writers usually did not, such as how to deal with menstrual cramps. She also wrote a text just on what we’d today call gynecology. Clearly, she was a more prolific writer than most women of her era; more to the point, she was more prolific than most of the men of the time.

There were some suspicions that her writing was not her own, and could be attributed to her scribe, Volman, who seems to have taken the writings that she put down and made permanent records of them. But even in her writing after he died, her usual fluency and complexity of writing is present.

Hildegard of Bingen – Saint?

Perhaps because of her famous (or infamous) flouting of ecclesiastical authority, Hildegard of Bingen was never canonized by the Roman Catholic Church as a saint. She has been honored locally as a saint.

Hildegard of Bingen – Legacy

Hildegard of Bingen was, by modern standards, not as revolutionary as she might have been considered in her time. She preached the superiority of order over change, and the church reforms she pushed for included the superiority of ecclesiastical power over secular power, of popes over kings. She opposed the Cathar heresy in France, and had a long-running rivalry (expressed in letters) with another whose influence was unusual for a woman, Elisabeth of Shonau.

Hildegard of Bingen is probably more properly classified as a prophetic visionary rather than a mystic, as revealing knowledge from God was more her priority than her own personal experience or union with God. Her apocalyptic visions of the consequences of acts and practices, her lack of concern for herself, and her sense that she was the instrument of God’s word to others, differentiate her from many of the (female and male) mystics near her time.

At the heart of Hildegard von Bingen’s extraordinary creativity was her accomplishment in music. In the poetry and melody of her songs, she reveals the full authority, intelligence and striking originality of her genius. She wrote profusely as no woman before her. Even though she received no formal training in music, her talent and motivation drove her to write 77 chants and the first musical drama in history, which she entitled The Ritual of the Virtues. She writes in her autobiographical passages: “I composed and chanted plainsong in praise of God and the saints even though I had never studied either musical notation or singing.” Unlike the mild, mainstream music of her day, her lyrical speech breaks into rhapsodic emotion; her zesty melodies soar up to two and one half octaves, leaping and swirling into flourishing roulades which leave the singer breathless.

“There is the Music of Heaven in all things and we have forgotten how to hear it until we sing.”
~Hildegard of Bingen

Link to Hildegard’s Music:
http://www.rhapsody.com/hildegard-von-bingen

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